But this is a very difficult question. If Thomas was not a Christian, this would affect the use of this example in this section. Particular details, such as gender, reactions and even some symptoms are frequently altered specifically so that persons may not be identified. As a result, descriptions which appear to correctly describe a particular person are accidental in that no case is left unchanged.
The re-contextualized play is very successful whilst still being true to the original text, combining parts of the Shakespearean script with an array of music, dance and movement resulting in the creation of a unique contemporary physical theatre.
The elements of drama, along with conventions of both physical and Elizabethan theatre, were used by Frantic Assembly to create a contemporary play from a heritage Shakespearean text that is relevant to a modern audience.
Frantic Assembly has successfully re-contextualized Othello by transposing the time and setting to make it relevant to a twenty-first century audience whilst still retaining the original plot and a number of conventions of heightened Realism.
Although the play has been placed into a completely different context, some Elizabethan conventions are still Re contextualization of othello for a contemporary. Soliloquy is often used in Shakespearean text to allow the audience to know things that other characters in the play do not.
This allowed the audience to foreshadow what was going to happen in the plot. Othello, like every Shakespearean tragedy, creates dramatic action by following the narrative structure: Frantic Assembly, although having re-contextualized the play, have still utilised the narrative structure making for a fascinating and enthralling storyline that keeps the audience n the edge of their seat.
Whilst continuing the use of Shakespearean conventions, Frantic Assembly has fastidiously manipulated them in conjunction with the conventions of physical theatre to create a piece that will appeal to a contemporary audience. The style of physical theatre enhances the re-telling of Othello through the use of movement and other physical theatre conventions rather than language.
Shakespearean language often proves difficult for a contemporary audience to understand. Therefore, by pursuing storytelling through primarily physical means, Frantic Assembly has effectively made the play more comprehensible to a modern audience.
Rhythm is one of the physical theatre conventions that was used with great ingenuity in the re-contextualization of Othello. The actors use their body in different ways according to the emotional state of their character or the atmosphere of the performance at a particular moment.
The physical shape of their body creates a visual metaphor which, in turn, conveys dramatic meaning to the audience.
Re-Contextualization of Othello for a Contemporary Audience Essay Words May 22nd, 7 Pages Othello is a Shakespearean tragedy involving the schemes and plots of the villainous Iago against the Moor, Othello, and his wife Desdemona. Re-contextualization comes in the form of placing a literary work in a rather different context, for instance, placing an original work of literature in a new temporal and spatial context, such as a modern . Re-Contextualization of Othello for a Contemporary Audience. Othello is a Shakespearean tragedy involving the schemes and plots of the villainous Iago against .
The viewpoints are used to allow the audience to see the stage as a moving, living, symbolic picture. Shape is a viewpoint that is very important in physical theatre and that was manipulated skillfully by Frantic Assembly in order to express the emotions of the characters through movement and gesture.
A scene In Othello that clearly utilizes this viewpoint is when Cassio was drunk. When he fell up against the wall, it undulated beneath him and it was if his body was mimicking this movement. This is also an example of emotions being expressed through movement.
For instance, in Othello, characters such as Othello and Iago walk very tall and with purpose which conveys to the audience that they are confident, whereas, when Othello is expressing his love to Desdemona, his movement becomes more flowing and gentle.
In conjunction with these viewpoints, time is also used to create dramatic meaning for the audience by controlling the tempo and the duration of each movement.
Controlling the time taken for a movement to be completed can create various effects depending on the desired mood.
This incorporates the viewpoint of movement, including exaggerated movements and gestures, to convey messages and themes to the audience through physical theatre. One of the scenes that very effectively used the conventions of physical theatre was when they were fighting.
These conventions played an important role in creating an effective contemporary play, but the elements of drama were also essential in creating dramatic meaning for the audience. Frantic Assembly used the elements of drama very effectively to contribute to the dramatic meaning of the play, Othello.
The elements that were most prominently utilized were tension, focus, timing, mood, language, movement and symbol. In the writing of Othello, Shakespeare has used tension of relationships and tension of the task to create a dramatically interesting play which leaves the audience on the tip of their toes.
There is much tension between many of the characters in Othello, the first example being the relationship between Othello and Brabantio who does not want his daughter to marry the Moor. Although Frantic Assembly has re-contextualized the heritage play, they have effectively established this tension through the use of sound, lighting, movement and contrast.
This established tension within the play as the audience is left with a sense of mystery, wondering what is going to happen with the handkerchief. Lighting and sound also played a major part in creating tension for the audience. Throughout the entire play, there is a hushed background noise of dance music and dogs barking which establishes the setting of the pub, but after Othello has killed Desdemona, the constant noise is replaced by silence, therefore creating tension.
In the last scene, the lighting is dimmed with a spotlight on Othello as he says his final monologue which draws focus. Another example of tension being created using lighting and sound is between scenes when the stage is in complete blackness.
This generates a sense of anticipation as we have an instinctive fear of the dark which is intensified by the atmospheric music which is played during the blackout. The pool table was used to establish the setting of the pub, much of the action occurring on and around it.
The actors also used it to create focus through the means of levels. For example, when Desdemona was begging Othello not to kill her, she was standing on top of the pool table which created focus for her, but gradually Othello got on top of the table as well and Desdemona was lying down.
As Othello was higher than her, this was also disempowering Desdemona.The Reactions of a Contemporary and Modern Audience to the Honourable Actions of Hamlet Re-Contextualization of Othello for a Contemporary Audience Essay More about The Reactions of a Contemporary and Modern Audience to the Honourable Actions of Hamlet.
Audience to This Act in David Tennant´s Hamlet. We would like to show you a description here but the site won’t allow us. How would the themes appeal to a contemporary Audience?
The plot of Othello appeals to a contemporary audience because the play ageless. The play Othello uses many themes such as jealousy, hatred, envy, love, sacrifice, death, manipulation, honour, justice and etc.
ardatayazilim.com How would the themes appeal to a contemporary audience? The plot of Othello appeals to a contemporary audience because the play ageless.
The play Othello uses many themes such as jealousy, hatred, envy, love, sacrifice, death, manipulation, honour, justice and etc. Re-Contextualization of Othello for a Contemporary Audience.
Othello is a Shakespearean tragedy involving the schemes and plots of the villainous Iago against . Preface. The opportunity to write this manuscript came chiefly as the result of two extended speaking engagements. The bulk of the material was written to complement the Spring Lectureship which I presented at Western (Conservative Baptist) Seminary in Portland, Oregon.